![]() Sometimes it seems more focused on the “problem” and the “goal” would simply be to fix it. I’ve also noted that “problem” and “goal” are two sides of the same coin, in that the main character of a story usually has both. In the past I’ve blogged about the different kinds of problems at the center of a story, and how it’s good to make sure you’ve chosen one of these, so the stakes seem big enough. I started trying to list them, and came up with 7. As I’ve been brainstorming on my next script I found myself looking at the main character’s external want and realizing that there really are a very limited number of types of story goal.
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